The President's Photographer
Tuesday, May 10, 2011 at 10:30AM |
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I think this is an excellent documentary, even worth a look for those with little interest in photography. I made some observations while watching that reiterated a number of the things I’ve learned over the years since submerging myself in this craft:
- Make lots of pictures. There are two conflicting quotes in the video, but I’ll go with the more conservative figures of 20000 - 80000 images taken by the photography staff per month. That’s a lot, and you can be sure that many of them are never going to see the light of day… but taking lots of shots increases the chances of capturing what you want/need. With a little discipline, you can also learn from the images that don’t make the grade… figure out what you don’t like about them and work to avoid the same thing in future
- Good Workflow is Essential. Self-explanatory really, but with up to 80000 images a month to process, a streamlined and consistent workflow is critical
- Get it Right In-Camera. Documentary photographers are subject to very strict limits on what ‘enhancement’ can be made to an image once it’s shot. It wouldn’t surprise me if the staff in this video were shooting JPEG instead of RAW, either way it places emphasis on getting the image right in camera so little or nothing needs to be done in post-production. White Balance, Sharpness, Exposure and crop all need to be spot-on
- Shit Happens. You’ll make mistakes, fumble and gear will fail. This is a given. What matters is how well you recover when it happens
- Be Discreet. Many people are uncomfortable in front of a camera. By becoming invisible a photographer can capture natural gesture and moments far more easily
- Carry Less Gear. The more gear you carry the less images you’re likely to capture. In this video the photographer carries two camera bodies and two lenses. Simple, and with them he can move quickly and quietly
- Invest In Good Glass. The photographers in this video were using excellent lenses (list of the ones I spotted below), but they weren’t using top-of-the-range camera bodies. The lesson here is that good lenses are the best place to spend your money, as they will outlast camera bodies. Megapixels are fairly irrelevant, as are lots of the bells and whistles on modern camera bodies, which can make them a poor investment sometimes.
Camera Bodies & Accessories
- Either Canon 7D or 5D models… neither of which cost more than €2500
- Canon 580ExII flash on-camera
- Lexar Compact Flash memory cards
Lenses
- Canon EF 15mm f/2.8 fisheye (I think)
- Canon EF 16-35mm f/2.8 L USM
- Canon EF 27-70mm f/2.8 L USM
- Canon EF 50mm f/1.2 L USM
- Canon EF 85mm f/1.2 L USM
- Canon EF 70-200mm f/2.8 IS L USM
Some observations on the lenses: Most of them are from the Canon ‘L’ range, which indicates high quality lens elements, fast autofocus and excellent build quality (dust and moisture resistant). They all have very wide apertures. With the exception of one they’re all fairly compact, thus less intimidating to those being photographed. - Details Tell The Story. The large sweeping images may cause the most impact, but it’s the smaller details that help convey a story and develop a larger body of cohesive work
- Print Pictures Regularly (and share them). The process of printing correctly takes time, but I find it so much more gratifying to print my favourite images rather than viewing them on screen. It evolves the image from a digital file, ones and zeros, into something real that you can touch and feel
…and most importantly of all… - Your Best Images are Still Ahead of You. Every single thing you’ve ever learned about making an image goes into making your next shot. Food for thought, eh?
More coming soon…






